With beautiful curves and minimalistic features, Asetin is a one-of-a-kind and powerful sans-serif typeface. This will offer your project a unique, fresh look that you won’t find anywhere else. Asetin gives an exciting touch to anything you wish to produce, from branding to creative endeavors like websites or eBooks, and beyond. With Asetin, you can add a touch of contemporary to any project. Its adaptable design makes it ideal for a variety of creative undertakings, so it’ll be a perfect fit for your next project. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Aveline is a gorgeous font that is both classically elegant and inherently modern. Create unique watermarks, logos, beautiful wedding invitations, use it as an elegant solution for your next magazine layout, or choose Aveline for any graphics that require a sleek look with an elegant flair. Aveline features a unique typeface stylistic set which when use to some of the Uppercase, lowercase characters and multilingual support as well.

Introducing, Aventine! A captivating script font that seamlessly blends the allure of handcrafted artistry with a casual and inviting style. This signature font embraces the essence of a natural and cozy ambiance, radiating warmth in every character. Aventine's handmade design showcases the intricate details and delicate imperfections that add a touch of authenticity to your projects. Its flowing curves and graceful strokes evoke a sense of intimacy and personal connection. Whether used in a logo, branding materials, or any creative endeavor, Aventine effortlessly exudes a natural charisma that captures attention and creates a lasting impression. Let Aventine be the embodiment of your unique vision, infusing your designs with an inviting and heartfelt charm.

Adeline which has a simple and minimalist design. In this font, there are no serifs or extra lines that stand out at the ends of the letters, making them appear more minimalistic and easier to read. Adeline can be used in both modern and contemporary designs, and is suitable for use in a variety of fashion media, posters, magazines, typography and other digital media. FEATURE; -Uppercase -Support Foreign, Numbers and Punctuation. -Alternative. -Regular. -Works on PC. -Simple installation. -Accessible in Adobe Illustrator, Adobe Photoshop. Adobe InDesign, it even works in Microsoft Word. -Fully accessible without additional design software. Adeline is encoded with Unicode PUA, which allows full access to all additional characters without having to design any special software. Mac users can use the Font book, and Windows users can use the Character map to view and copy any extra characters to paste into your favorite text editor/app. Thank you for visiting ;)

My wife name is Yasemin. After building this typeface, I wanted to honor with my wife’s name. I think I fully reflects the character I created in my mind. I created ornaments and connected glyphs. Yasemin is an OpenType font that contains 1045 glyphs. Ligatures, alternates, starting, endings, a wide range of latin languages and a set of ornaments. And words specially designed to use in advertising slogan, stationery for weddings, birthdays, etc. TIPS: Try using Yasemin at a 20º angle so that the slanted strokes, ornament become perfectly vertical. Having the decorative ligatures feature (dlig) activated is a good option to see letters dance. TECHNICAL: It is absolutely recommended to use this font with the standard ligatures feature (liga) activated. It makes letters ligate perfectly and also improves the space between words. UPDATES: - 3 December 2015 Opentype Feature (fractions) update. - 20 March 2019 Opentype Feature (fractions) update. Some bug fixes.

In drawing the Avenir® typeface, Adrian Frutiger looked to both the past and the future for inspiration. His goal was to reinterpret the geometric sans serif designs of the early part of the 20th century in a typeface that would portend aesthetics of the 21st century. He succeeded handsomely. In doing so, Frutiger added a bit of organic humanism to the design, freeing Avenir from the rigid geometric overtones of the earlier designs. Avenir is employed on signage at Dallas Fort Worth and Hong Kong international airports. The city of Amsterdam adopted Avenir as its corporate typeface in 2003. The original Avenir family is made up of designs with gradual weight changes in order to satisfy the needs of specific text applications. While the book and light weights have similar stroke widths, the book weight is well suited for body text, whereas the light was designed for captions and subhead text. Featured in: Best Fonts for Resumes

New font Adelinesis a handwritten brush that is 2 Style and written casually and quickly. Letters are made with brushes on Procreate. That is why Adelines has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text.

Avenia it is a modern calligraphic font with exquisite accents. It is perfect for branding, wedding invitations and invitation cards and many more Font includes a full set of gorgeous uppercase and lowercase letters, numbers, a large selection of punctuation marks and ligatures. Includes: Regular Script Latin languages support Uppercase and lowercase Numbers and punctuation Ligatures Swashes Check out my blog: https://www.instagram.com/di.zigner pinterest.com/dmitriychirkov7 Enjoy

Astenia is a modern script that is designed in detail, made with original hand pulls, the perfect font to meet needs such as photography, signatures, branding, logos, and more. Very beautiful and classy, ​​simple but strong.

This Arabic extension to Adrian Frutiger’s Avenir typeface family was created by Nadine Chahine for Monotype. Avenir Arabic proudly incorporates a timeless geometric style with humanistic nuances that made Avenir so famous. Featuring six weights from Light to Black, Avenir Arabic supports OpenType features for Arabic, and includes Windows codepage 1256 Arabic character set support.

Say hello to Hello Arsenio font. Made with love and joy. Kids look, so it will make your design more beautiful, cute, fun, and colorful.

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though, in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from UltraLight to Heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Complete your designs with these perfect pairings: Dante™, Joanna® Nova, Kairos™, Menhart™, Soho® and ITC New Veljovic®. Avenir Next Variables are font files which are featuring two axis, weight and width. They have a preset instance from UltraLight to Heavy and Condensed to Roman width. The preset instances are: Condensed UltraLight, Condensed UltraLight Italic, Condensed Thin, Condensed Thin Italic, Condensed Light, Condensed Light Italic, Condensed, Condensed Italic, Condensed Demi, Condensed Demi Italic, Condensed Medium, Condensed Medium Italic, Condensed Bold, Condensed Bold Italic, Condensed Heavy, Condensed Heavy Italic, UltraLight, UltraLight Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Demi, Demi Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, Heavy Italic. Featured in: Best Fonts for PowerPoints

Introducing Agefin Regad, the perfect solution for your superhero-themed projects! With its bold and standout serif design, Agefin Regad is the ideal font for any project that requires a robust and impactful look. Agefin Regad comes in two families: regular and slant, allowing you to choose the perfect style for your design. Whether you’re creating logos, headlines, or posters, Agefin Regad has got you covered. With its unique and attention-grabbing design, Agefin Regad is the perfect choice for projects that need to stand out from the crowd. And with its multilingual support, you can use it for projects all over the world. Get Agefin Regad today and take your superhero-themed designs to the next level! What’s Included : File font All glyphs Iso Latin 1 Ligature, Alternate We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Cervin Asenoy is a Modern Display font created especially for projects that need vintage and Retro typography! Use it for projects like magazines, banners, stationery, branding, name tags, invitations, and more. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Introducing a fancy serif font with italics. Radilen Aveline is a series of elegant serif fonts that give traditional design elements a modern feel with their clean lines, smooth curves and sharp details making them suitable for a variety of your design projects making them ideal for titles, headlines, editorial designs, monograms, branding, logos, poster designs, and more. The regular Radilen Aveline has 47 Ligatures and 28 Alternatives. WHAT'S INCLUDED: Radilen Aveline Regular Radilen Aveline Italic We highly recommend using a program that supports OpenType features and Glyphs panels like Adobe apps and Corel Draw, so you can see and access all Glyph variations. This type of family has become the work of true love, making it as easy and fun as possible.I really hope you enjoy it! Thank you Enjoy the font and go get creative :)

Karl Georg Hoefer’s Sho first appeared in 1992 with Linotype-Hell. The font is a part of the package Calligraphy for Print, which also contains Ruling Script and Wiesbaden Swing. Calligraphy for Print 2 completes the set. These packages offer modern calligraphy fonts particularly well-suited to use in posters, magazines and advertisements. Sho distinguishes itself in the extreme contrast between the strokes. A unique characteristic of the font is the way it uses simple round forms in some of its letters, giving it a peppy and playful feel.

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though; in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from ultralight to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Avenir Next Variables are font files which are featuring two axis, weight and width. They have a preset instance from UltraLight to Heavy and Condensed to Roman width. The preset instances are: Condensed UltraLight, Condensed UltraLight Italic, Condensed Thin, Condensed Thin Italic, Condensed Light, Condensed Light Italic, Condensed, Condensed Italic, Condensed Demi, Condensed Demi Italic, Condensed Medium, Condensed Medium Italic, Condensed Bold, Condensed Bold Italic, Condensed Heavy, Condensed Heavy Italic, UltraLight, UltraLight Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Demi, Demi Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, Heavy Italic.

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though; in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from ultralight to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Avenir Next Variables are font files which are featuring two axis, weight and width. They have a preset instance from UltraLight to Heavy and Condensed to Roman width. The preset instances are: Condensed UltraLight, Condensed UltraLight Italic, Condensed Thin, Condensed Thin Italic, Condensed Light, Condensed Light Italic, Condensed, Condensed Italic, Condensed Demi, Condensed Demi Italic, Condensed Medium, Condensed Medium Italic, Condensed Bold, Condensed Bold Italic, Condensed Heavy, Condensed Heavy Italic, UltraLight, UltraLight Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Demi, Demi Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, Heavy Italic.

Avenir Next Paneuropean is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though, in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from UltraLight to Heavy, this 56-font collection offers condensed and semi condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Complete your designs with these perfect pairings: Dante™, Joanna® Nova, Kairos™, Menhart™, Soho® and ITC New Veljovic®.

An ultra modern typeface which combined with the proper text font can revive any dull-looking document. The wide simple forms combined with the selective application of a few distinct characteristics has resulted a stylish typeface which shines in the top 10 of our most wanted list. The powerful new “Pro” version comes complete with Greek and Cyrillic and includes a number of stylistic alternates as well as 2 groups of stylistic alternate sets, the last group being unicase characters.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

The Avenir Next Variable Set font is a single font file that features three axes: Weight, Width and Italic. For your convenience, the Weight and Width axes have preset instances. The Weight axis has a range from Ultra Light to Heavy. The Width axis provides a range from condensed to regular width. The Italic axis is a switch between upright and italic. Variable fonts act as a complete family of fonts in a single file. The new Variation font feature is supported by a growing number of desktop design applications, and more importantly by all the major web browsers. Variable fonts provide a variety of benefits to web and print designers and developers including flexible, responsive typography.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura , Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to ExtraBlack.

It’s quick, it’s dirty, it’s tasty! Add a casual, informal feel to anything. Here is SixMinutes and it’s surprisingly complete.

Golvin Six is ​​a fun, cool and retro style. Comes with 4 unique bold and outline serif styles, a regular style with consistent thickness and stability, another with a wavy style that makes your design project more unique. Golvin Six can easily fit into a very large range of projects such as posters, book covers, logotypes, stickers and much more, so add it to your creative ideas and watch how it makes it stand out! I hope you have a blast using Golvin Six Thanks for use this font ~ Khaiuns X zelowtype

A revival of one of the popular English Antique styles of the 19th century. The slab serif style was also used by American wood type manufacturers.

Introducing, Sixpounder Fonts. inspired by indonesian Tribes, Tatto and Poster band. easy to read, easy access to opentype. What's Included The Fonts ? Uppercase Lowercase Symbols Numbers Stylistic Set 1 Stylistic Set 2 Stylistic Set 3 Stylistic Set 4 European Multilingual Thank You, Regards!

Fleurons are embellishments and this is my sixth and so far most beautiful round. I again found some nice old ones and made them completely new. These go well with many Copperplate scripts and especially with my scripts Nadine and Ellida. Your very elaborate, Gert Wiescher